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Her Majesty, The Queen. Busiswa for The Showmax Issue

At the apex of an artist’s creativity lies licence. Definitively, poetic licence is “the freedom an artist or writer has to change details, distort facts, or ignore the usual rules.” This doesn’t necessarily mean that lies are being shared; consider, rather, that conventions of storytelling are shifted to meet the

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Nsikayesizwe: Nasty C

Nasty C’s new album opens with the line “This is how it feel like to be on top of the world.” His rise to the top of South Africa’s hip hop fraternity has been nothing short of a marvel to witness. Beyond the country’s borders, he has his eyes set

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Nadia Nakai. The awakening of SA’s rap queen

In many art forms, the pursuit of legendary status is the North Star guiding the trajectory of the artist’s career. James Baldwin spoke about an aspect of this in his collection of essays, Nobody Knows My Name. Exploring various themes over the six years that it was written, he also

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Of Pandemics and Artistry

Of pandemics and anxiety We can agree that when living in South Africa as a freelancer you have to work twice as hard to book a gig. The industry has quickly identified their freelancers in different industries to make a production work. Ad agencies and production companies have their go-to

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Nsikayesizwe: Nasty C

Nasty C’s new album opens with the line “This is how it feel like to be on top of the world.” His rise to the

Of Pandemics and Artistry

Of pandemics and anxiety We can agree that when living in South Africa as a freelancer you have to work twice as hard to book

K.O: Defining a Decade

Image by Austin Malema of RTC Studios Styled by Cherné Africa Cover Design by Mzo Gcwabe